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Filter: Categories of Wisconsin Historical Images
Filter: FULL_DATE of 1919
Filter: Subject of military uniforms
| Date: | 1919 |
|---|---|
| Description: | Advertising poster of World War I veteran returning home to family, farm and new Titan 10-20 tractor. The caption on the poster reads: "Look what dad bough... |
| Date: | 1919 |
|---|---|
| Description: | Image from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker!... |
| Date: | 1919 |
|---|---|
| Description: | Image from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker!... |
| Date: | 1919 |
|---|---|
| Description: | Image from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker!... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Page from an International Harvester calendar promoting safety using themes from World War I. The title of calendar is "The World's Greatest Chance Taker! ... |
| Date: | 1919 |
|---|---|
| Description: | Parade celebrating the return of the 32nd Division after World War I. |
| Date: | 1919 |
|---|---|
| Description: | Captured German submarine, possibly the U-C97, with men on deck. United States flags are flying and several men are gathered on top of the submarine. Anoth... |
| Date: | 1919 |
|---|---|
| Description: | The bride, groom, wedding party, and pastor(?) pose for the Stafford-Harold wedding portrait. The groom wears a military uniform from the World War I era. |
| Date: | 1919 |
|---|---|
| Description: | Lieutenant Eric Burgess, a U.S. Army aviator played by Harrison Ford, sits on the edge of a well with Marty Mackenzie (Vivian Martin) in a scene still from... |
| Date: | 1919 |
|---|---|
| Description: | Prince Michael Orbeliana (played by Lou Tellegen in an aristocratic white military uniform) visits the opera singer Marcia Warren (Geraldine Farrar wearing... |
| Date: | 1919 |
|---|---|
| Description: | Prince Michael Orbeliana (played by Lou Tellegen in a rough wool military coat) warmly embraces Marcia Warren (Geraldine Farrar) in this scene still from ... |
| Date: | 1919 |
|---|---|
| Description: | In a scene still from "The Amazing Wife," U.S. Army Lieutenant John Ashton (played by Frank Mayo) clinches his fist and glares at his cousin Philip Ashton ... |
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