click zoom to display a high-res image
Publication Information
Physical Description
Collection Information
Copyright Information
W019ZT7
Image
Digital Collections
Explore more than 100,000 collection items online through the Society’s digital collections. For over two decades, we’ve been scanning, photographing, and digitizing materials from our collections, creating a rich and growing digital archive that brings history closer to you.
The Wisconsin Historical Society offers an ever-growing digital collection. Digitized materials reflect the full range of items in the collections including photographs, letters, newsletters, films, posters, architectural drawings, menus, and ephemera.
Attribution
For a credit line: Wisconsin Historical Society, Creator, Title, Unique Identifier.
The Unique Identifier can be found at the top or bottom of the page for each item. The name of a downloaded file is NOT the unique identifier.
For bibliographic citations please consult the UW-Madison Libraries Citation Research Guide to ensure compliance with appropriate style guidelines.
Accessing Collections
The vast majority of the items in our collections are not online. The Society owns thousands of archival collections viewable in our Archives reading room. To view and conduct research in our collections, visit us in person.
Buster Keaton serenades Marceline Day
May 21, 1928
Buster Keaton, Edward Sedgwick and Norman McNeil, with accordion, serenade Marceline Day during the filming of 'The Cameraman.' Day sits inside a bus
Buster Keaton and Norman McNeil
1928
Buster Keaton sits next to Norman McNeil on the beach during the filming of the movie 'The Cameraman'. McNeil is playing an accordion. A camera on a tripod can be seen behind them.
Buster Keaton in The Boat
1921
Buster Keaton, as The Boat Builder, wears a headset and leans on a radio in a scene from the 1921 film The Boat.
Scene still from Seven Chances
1925
Buster Keaton, as James Shannon, holds a box in one hand and a Knapp-Felt Panama hat in the other as part of an advertisement for the 1925 film Seven Chances.
Still from Rich Man's Plaything (1917)
John Dillon and Valeska Suratt sit outside at a table by a fountain. Dillon wears a tuxedo and Suratt an evening gown, feathered hat and holds a fan.
Valeska Suratt and Sheridan Block in The Soul of Broadway (1915).
Valeska Suratt wears an evening gown, long strands of pearls, and a mask with large feathers. Sheridan Block stands next to her and wears a tuxedo.