click zoom to display a high-res image
Publication Information
Physical Description
Collection Information
Copyright Information
W012RVJ
WHi 37412
Image
Digital Collections
Explore more than 100,000 collection items online through the Society’s digital collections. For over two decades, we’ve been scanning, photographing, and digitizing materials from our collections, creating a rich and growing digital archive that brings history closer to you.
The Wisconsin Historical Society offers an ever-growing digital collection. Digitized materials reflect the full range of items in the collections including photographs, letters, newsletters, films, posters, architectural drawings, menus, and ephemera.
Attribution
For a credit line: Wisconsin Historical Society, Creator, Title, Unique Identifier.
The Unique Identifier can be found at the top or bottom of the page for each item. The name of a downloaded file is NOT the unique identifier.
For bibliographic citations please consult the UW-Madison Libraries Citation Research Guide to ensure compliance with appropriate style guidelines.
Accessing Collections
The vast majority of the items in our collections are not online. The Society owns thousands of archival collections viewable in our Archives reading room. To view and conduct research in our collections, visit us in person.
Ansel Adams at Point Lobos
1968
Ansel Adams takes exposure notes during a photo shoot at Point Lobos.
Ansel Adams on Location
1968
Photographer Ansel Adams mounting his Hasselblad camera onto the tripod on a rocky shore near or at Point Lobos.
Ansel Adams at Point Lobos
1968
Ansel Adams checks the time as he records exposure information into his logbook during a photo shoot. His 8 x 10 field camera is in the background.
Ansel Adams' Camera at Point Lobos
1968
Ansel Adams' camera and hat at Point Lobos.
Ansel Adams Setting Up Camera
1968
Photographer Ansel Adams setting up his camera in a wooded waterfront area near Point Lobos.
Ansel Adams at Point Lobos
1968
Ansel Adams loads an 8 x 10 sheet film holder into his field camera.
